reading some slobbering praise of the inexcusably heinous u2
by a fucking moron on a newly-independent bike forum, i was once again
reminded that for a band that's been around for 33 mostly-awful years,
they hit their high point very early on, after only one year. '11 o'clock tick tock',
produced by martin hannett, was the absolute zenith. u2, in their role
as feckless joy division sycophants, got martin hannett to produce the
single with the hope that he would produce their album. imagine boy and october produced by martin hannett instead of relentlessly radio-friendly careerist steve lillywhite! for people of the right age, boy was
a cool album. since nobody could see the frightening future, it was
easy to overlook the bits that felt a little off, and the joy
division-for-dummies zeitgeist was a step above lots of the shit
beginning to bubble up everywhere around that time. i liked october for
its rushed, amateurish feel; more time only would have made it more
pretentious. what would martin hannett have been able to do with those
two records? could martin hannett have been the one to beat some
reality into bono's bloated, empty head, screaming 'no, no, no you
fucking useless twat! shut up!!! no, no, no, do it again. try again,
paul! fuck you!' until bono finally realized that he's basically an
idiot and shouldn't do such a professional job of proving it every
fucking time he opens his mouth? would martin hannett have saved us all
from the dublin messiah scattering crumbs? we'll never know. ian
curtis died at 23. bono will probably live to be a thousand. if u2 had
had the good sense to die in a fiery, lynyrd skynyrd-style plane crash
after the recording of and before the release of october, they
probably would have been remembered fondly as earnest,
idiot-little-brothers of joy division and not the shameless and vile
rawk monster they have become.
No comments:
Post a Comment